This graduate thesis examines the process of painting by using sinesthesia with music and the influence of surroundings on the long-term work as a whole. Through the cycle of works, created over a certain period of time, changing approaches to work and the relationships of colours and their role in sinethetic relationship to music are being explored, as well as the forms created in the mutual communication of painting and modern technologies. The emphasis in the work is the clash of irrational and rational state of consciousness during the process of creation, and bringing these segments into balance in the art work. The working process is divided into three phases, the first stage is painting on canvas with acrylic colors, the second phase is digital painting on the computer and the final phase is the montage of the sound and the creation of stop animation. Challenges provided by painting society and the atmosphere that music provides pose questions to which is hard to find an objective answer, so the graduate thesis will represent only the subjective opinion elaborated by works and writings of relevant artists who have been researching similar interests before this paper.