Hrvatsko operno stvaralaštvo

Karadža, Ivan

master's thesis

Hrvatsko operno stvaralaštvo

Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2019. urn:nbn:hr:251:219007

Karadža, Ivan

Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

Cite this document

APA 6th Edition

Karadža, I. (2019). Hrvatsko operno stvaralaštvo (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:219007

MLA 8th Edition

Karadža, Ivan. "Hrvatsko operno stvaralaštvo." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2019. https://urn.nsk.hr/urn:nbn:hr:251:219007

Chicago 17th Edition

Karadža, Ivan. "Hrvatsko operno stvaralaštvo." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2019. https://urn.nsk.hr/urn:nbn:hr:251:219007

Harvard

Karadža, I. (2019). 'Hrvatsko operno stvaralaštvo', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 24 April 2024, https://urn.nsk.hr/urn:nbn:hr:251:219007

Vancouver

Karadža I. Hrvatsko operno stvaralaštvo [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2019 [cited 2024 April 24] Available at: https://urn.nsk.hr/urn:nbn:hr:251:219007

IEEE

I. Karadža, "Hrvatsko operno stvaralaštvo", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:251:219007

Cite this item: https://urn.nsk.hr/urn:nbn:hr:251:219007

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Metadata

Title	Hrvatsko operno stvaralaštvo
Title (english)	The Production of the Croatia Opera
Author	Ivan Karadža
Mentor	Berislav Jerković (mentor)
Committee member	Vuk Ognjenović (predsjednik povjerenstva)
Committee member	Berislav Jerković (član povjerenstva)
Committee member	Marko Sesar (član povjerenstva)
Granter	Josip Juraj Strossmayer University of Osijek Academy of Arts and Culture in Osijek Osijek
Defense date and country	2019-09-25, Croatia
Scientific / art field, discipline and subdiscipline	FIELD OF ART Art of Music Music Education
Abstract	Hrvatsko operno stvaralaštvo započelo je 1846. godine praizvedbom prve hrvatske opere Ljubav i zloba kompozitora Vatroslava Lisinskog. Uz Lisinskog, 19. stoljeće je ponajviše obilježio svojim skladateljskim i pedagoškim radom Ivan pl. Zajc. Zajc je stvarni utemeljitelj hrvatske opere te autor više glazbeno-scenskih djela od kojih je najpoznatija opera Nikola Šubić Zrinski koja se i danas izvodi. Hrvatski skladatelji početkom 20. stoljeća skladali su u duhu tzv. nacionalnog smjera te su glazbene ideje ponajviše crpili iz narodnog glazbenog blaga, iz folklora. Najvažniji predstavnik tog razdoblja je Jakov Gotovac i njegova opera Ero s onoga svijeta. U drugoj polovici 20. stoljeća mladi skladatelji počinju skladati tehnikama poput atonalnosti, dodekafonije i serijalnosti koje su postale aktualne u europskoj glazbenoj avangardi. Važna godina za hrvatsku opernu baštinu je 1961. kada je osnovana manifestacija Muzički biennale Zagreb gdje se i danas premijerno izvode najnovija operna djela.
Abstract (english)	The production of the Croatian opera started in the 1846 with the premiere od the first Croatian opera Ljubav i zloba written by the compositor Vatroslav Lisinski. As well as Lisinski, the 19th century was marked by pedagogic and composing work of Ivan pl. Zajc. Zajc was the actual founder of the Croatian opera, author of several musical and stage works, of which the most famous was the opera Nikola Šubić Zrinski, still performed today. In the beginning of the 20th century, Croatian composers had composed modeled on the national course and took their musical ideas from a folk tradition. The most important representative of this period was Jakov Gotovac and his opera Ero s onoga svijeta. In the second half of the 20th century, young composers begun composing by techniques such as atonality, dodecaphony and seriality that were conventional in the European musical avant-garde. An important year for the heritage of Croatian opera was 1961 when the Zagreb Music Biennale was established, a place where Croatian operas are premiered even today.
Keywords
Keywords (english)
Language	croatian
URN:NBN	urn:nbn:hr:251:219007
Study programme	Title: Graduate study of Music Education Study programme type: university Study level: graduate Academic / professional title: magistar/magistra glazbene pedagogije (magistar/magistra glazbene pedagogije)
Type of resource	Text
File origin	Born digital
Access conditions	Open access
Terms of use
Repository	Repository of the Academy of Arts and Culture in Osijek
Created on	2020-02-07 10:41:34

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