Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija

Marijanović, Gordan

master's thesis

Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija

Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2018. urn:nbn:hr:251:417892

Marijanović, Gordan

Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

Cite this document

APA 6th Edition

Marijanović, G. (2018). Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:417892

MLA 8th Edition

Marijanović, Gordan. "Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2018. https://urn.nsk.hr/urn:nbn:hr:251:417892

Chicago 17th Edition

Harvard

Marijanović, G. (2018). 'Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 23 April 2024, https://urn.nsk.hr/urn:nbn:hr:251:417892

Vancouver

Marijanović G. Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2018 [cited 2024 April 23] Available at: https://urn.nsk.hr/urn:nbn:hr:251:417892

IEEE

G. Marijanović, "Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:251:417892

Cite this item: https://urn.nsk.hr/urn:nbn:hr:251:417892

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Metadata

Title	Rad na predstavi Pleti mi, dušo, sevdah; glazba kao inspiracija
Author	Gordan Marijanović
Mentor	Maja Lučić Vuković (mentor)
Granter	Josip Juraj Strossmayer University of Osijek Academy of Arts and Culture in Osijek Osijek
Defense date and country	2018, Croatia
Scientific / art field, discipline and subdiscipline	FIELD OF ART Theater Arts (Performing and Media Arts)
Abstract	U ovom pisanom diplomskom radu, Gordan Marijanović opisuje rad na ispitnoj predstavi „Pleti mi, dušo, sevdah“ nastaloj u produkciji Akademije za umjetnost i kulturu u Osijeku pod mentorstvom doc. ArtD. Maje Lučić Vuković. Na početku autor iznosi činjenice o samom projektu, istražuje važnost glazbe kao inspiracije u lutkarskom stvaralaštvu i proučava povijest i karakteristike sevdaha kao glazbenog žanra. Analizirajući tematiku sevdalinki i ističući važnost pripovijedanja uvodi nas u centralni dio svoga rada u kojem opisuje generalni tijek od ideje do inscenacije te ulazi u dublje proučavanje rada na predstavi. Opisuje proces rada obrazlažući odabir lutkarske tehnike i analizira tijek nastajanja svake pojedine scene. Ističe važnost simbolike i shvaćanja lutke kao metaforičkog sredstva. Koncentrira se na glazbenu dramaturgiju i adaptaciju, rad na atmosferama i odnos glumac – lutka. Kratko se osvrće na izradu scenografije, a zatim opisuje proces stapanja svih nastalih elemenata u funkcionalnu i povezanu cjelinu. Na samome kraju, zaključkom ističe beskrajne mogućnosti koje pruža simbioza glazbe i lutke te naglašava važnost eksperimentalnog rada u umjetničkom sazrijevanju pojedinca.
Abstract (english)	In this written thesis, Gordan Marijanović describes the process of creating the play „Pleti mi, dušo, sevdah“ produced by Academy for art and culture in Osijek and mentored by assist. prof. Art.D. Maja Lučić Vuković. On the beginning author brings facts about the project, explores importance of music as inspiration in puppetry creativity and research history and characteristics of sevdah as music genre. Through analysing sevdalinka’s themes and asserting the importance of narration he introduces us in the central part of his written thesis in which he describes process from it’s starting idea to staging the play and starts with more detailed analysis. He describes working process through explaining why they chosen specific puppetry technique and analyse development of each separate etude. He points out the importance of symbolism and understanding the puppet as a metaphorical medium. He concentrates on music dramaturgy and adaptation, creating the atmospheres and relation between actor and puppet. After the short review about creating the scenography he describes the process of putting all elements into the one connected unity. At the end of this written thesis, he is concluding by pointing out the endless possibilities which can be produced with mutualism of music and puppet and emphasize the importance of experimental work in artistic maturing of young individual.
Keywords
Keywords (english)
Language	croatian
URN:NBN	urn:nbn:hr:251:417892
Study programme	Title: Graduate study of Acting and Puppetry Study programme type: university Study level: graduate Academic / professional title: magistar/magistra kazališne umjetnosti - akademski glumac i lutkar (magistar/magistra kazališne umjetnosti - akademski glumac i lutkar)
Type of resource	Text
File origin	Born digital
Access conditions	Open access
Terms of use
Repository	Repository of the Academy of Arts and Culture in Osijek
Created on	2020-01-28 14:15:51

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