| Abstract | Rad pod nazivom „L. van Beethoven: Sonata u E-duru br.30, op.109“ , temelji se na analizi upravo sonate koja je pisana u kasnom razdoblju stvaralaštva skladatelja, točnije 1820.godine. To je trostavačna sonata koja odstupa od klasičnog oblika, a sa svojim smjelim harmonijama, tehničko-zahtjevnim mjestima i široko-pjevnim melodijama polako zalazi u razdoblje romantizma. Prva dva stavka pisana su u sonatnom obliku i izvode se attacca , dok je treći stavak pisan u obliku teme s varijacijama, te se smatra jednim od ljepših stavaka koje je skladatelj napisao. Početni tonalitet sonate je E-dur, s tim da je drugi stavak u e-molu, a sonata je poznata po proširenom obliku i dužem trajanju, recitativnim pasažama, višeglasju, polifonom variranju i referenci na baroknu formu (fugato). Skladatelj također upotrebljava široke intervalske raspone između vanjskih glasova, sitne notne vrijednosti, arpeggia, ostinata, tremola i trilere. Kroz ovaj rad će se prikazati analiza svakog stavka. Također je prikazan i Beethovenov životni put, te veliki opus koji se dijeli u tri razdoblja stvaranja: rano, zrelo i kasno, ali bez obzira na vrijeme u kojem je djelo nastalo, skladatelj svakom daje jedinstveni umjetnički doživljaj. |
| Abstract (english) | The work entitled "L. van Beethoven: Sonata in E major no.30, op.109 “, is based on an analysis of a sonata written in the late period of his work, more precisely in 1820. It is a three-movement sonata that deviates from the classical form, and with its bold harmonies, technically demanding places and wide-singing melodies is slowly entering the period of romanticism. The first two movements are written in sonata form and are performed attacca , while the third movement is written in the form of a theme with variations, and is considered one of the most beautiful movements written by the composer. The initial key of the sonata is in E major, with the second movement in e minor, and the sonata is known for its extended form and longer duration, recitative passages, polyphony, polyphonic variation and references to the baroque form (fugato). The composer also uses wide interval ranges between external voices, small note values, arpeggio, ostinato, tremola, and thriller. Through this paper, the analysis of each item will be presented in detail. Beethoven's life path is also shown, as well as a large opus that is divided into three periods of creation: early, mature and late, but regardless of the time in which the work was created, the composer gives each a unique artistic experience. |
