Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama

Damić, Barbara

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master's thesis

Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama

Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences, 2021. urn:nbn:hr:131:344099

Damić, Barbara

University of Zagreb
Faculty of Humanities and Social Sciences
Department of Croatian language and literature

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APA 6th Edition

Damić, B. (2021). Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama (Master's thesis). Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:131:344099

MLA 8th Edition

Damić, Barbara. "Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama." Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, 2021. https://urn.nsk.hr/urn:nbn:hr:131:344099

Chicago 17th Edition

Harvard

Damić, B. (2021). 'Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama', Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, accessed 27 March 2025, https://urn.nsk.hr/urn:nbn:hr:131:344099

Vancouver

Damić B. Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama [Master's thesis]. Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences; 2021 [cited 2025 March 27] Available at: https://urn.nsk.hr/urn:nbn:hr:131:344099

IEEE

B. Damić, "Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama", Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, Zagreb, 2021. Available at: https://urn.nsk.hr/urn:nbn:hr:131:344099

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Title	Komparativna teatrološka analiza dviju Dolenčićevih adaptacija Držićeva Dunda Maroja na Dubrovačkim ljetnim igrama
Title (english)	Comparative theatrical analysis of two Krešimir Dolenčić's adaptations of Uncle Maroye written by Marin Držić, performed at the Dubrovnik Summer Festival
Author	Barbara Damić
Mentor	Lahorka Plejić Poje (mentor)
Committee member	Goranka Šutalo (predsjednik povjerenstva)
Committee member	Ivana Brković (član povjerenstva)
Granter	University of Zagreb Faculty of Humanities and Social Sciences (Department of Croatian language and literature) Zagreb
Defense date and country	2021-09-09, Croatia
Scientific / art field, discipline and subdiscipline	HUMANISTIC SCIENCES Philology Croatian Studies
Abstract	Marin Držić najveći je hrvatski komediograf, a njegov Dundo Maroje smatra se njegovim najboljim djelom, ali i jednom od najboljih hrvatskih komedija uopće. Otkad je ponovno otkriven i pravedno valoriziran tek u 20. stoljeću, Držićeva se djela počinju izvoditi na gotovo svim hrvatskim i mnogim inozemnim pozornicama. Među kazališne redatelje koji su ponudili svoje čitanje Dunda Maroja ubraja se i Krešimir Dolenčić koji taj predložak postavlja u tri režije na Dubrovačkim ljetnim igrama. Cilj ovoga rada analizirati je i usporediti video snimke Dolenčićevih dviju režija (iz 1997. i 2014. godine), odnosno prikazati redateljev različit pristup predlošku. Pridržavajući se u većoj mjeri predloška, Dolenčić režijom iz 1995. publici predstavlja svijet renesansnoga, a režijom iz 2014. viziju modernog Dunda Maroja. Osim predloškom analiza se bavi i ostalim, jednako važnim aspektima kazališnog čina – ansamblom, kostimografijom, scenografijom.
Abstract (english)	Marin Držić is the greatest Croatian comedian and his Uncle Maroje is considered to be his best comedy, but also one of the best Croatian comedies in general. Since it was rediscovered and rightly valorized in the 20th century, Držić's works have begun to be performed on almost all Croatian and many foreign stages. Among the theater directors who offered their reading of Uncle Maroje is Krešimir Dolenčić who made three directions at the Dubrovnik Summer Festival. The purpose of this thesis is to analyze and compare the videos of Dolenčić's two theater productions (from 1997 and 2014) and by that to show the director's different approach to the Držić's comedy. With the first direction Dolenčić impersonates the world of the Renaissance, but with the second one he presents the vision of the modern Uncle Maroje. In addition to the Držić's comedy, the analysis deals with other, equally important aspects of the theatrical act - ensemble, costume design, scenography.
Keywords
Keywords (english)
Language	croatian
URN:NBN	urn:nbn:hr:131:344099
Study programme	Title: Croatian Language and Literature; specializations in: Linguistics, Literature, Teaching Course: Teaching Study programme type: university Study level: graduate Academic / professional title: magistar/magistra edukacijehrvatskog jezika i književnosti (magistar/magistra edukacijehrvatskog jezika i književnosti)
Type of resource	Text
File origin	Born digital
Access conditions	Access restricted to students and staff of home institution
Terms of use
Repository	ODRAZ
Created on	2021-09-16 17:51:56