Baroque stone sculpture depicting the archangel Michael was found at the intersection of two roads leading from Sopot to Višnjevac and Vražja Peć, near the town of Pregrada in Krapina-Zagorje County. The sculpture was found in an extremely damaged and neglected state and required preventive protection and other conservation procedures to prevent further deterioration. Since 2016, the Art Conservation and Restoration Department of the Academy of Fine Arts of the University of Zagreb has been cooperating with the Ministry of Culture and Media – Conservation Department in Krapina on the issue of research, implementation of all conservation-restoration procedures on the original sculpture, as well as agreements on its placement and production of the copy and its presentation method. The conservation of the sculpture was carried out as part of the curriculum at the Department of Art Conservation and Restoration of the Academy of Fine Arts of the University of Zagreb. Works on the sculpture can be divided according to the type of execution, i.e. in two phases. The first phase was conservation, which includes the protection of the sculpture, and the second phase was the reconstruction of the missing parts of the original sculpture and the creation of a copy. During the 1st phase of the works in 2016, information about the sculpture and the situation on site was gathered and researched. The sculpture was included in the Register of Cultural Property of the Republic of Croatia in early 2017. Sculpture of St. Michael is the only known preserved public stone sculpture with this iconographic representation in northwestern Croatia. The sculpture was mentioned for the first time in 1742, and Croatian art historian Doris Baričević wrote about it in her book "Baroque Sculpture of Northern Croatia", and it was also mentioned by Croatian art historian and conservator Anđela Horvat also mentioned it in the section "Overview of cultural monuments of Pregrada Municipality" in the book "Pregrada and Surroundings". Unfortunately, the history of this sculpture is largely secret due to neglect by experts, which resulted in the denial of historical facts that would hopefully lead us to the origin of the sculpture. In the first part of the thesis, emphasis is placed on the historical and research part, while the second part describes the method of making a copy of the sculpture with reconstructed parts. After the conservation works, the sculpture and its stand were included in the permanent exhibition of the Museum of the City of Pregrada. According to the agreement, a copy of the original sculpture with reconstructions will be returned to the place where the original sculpture was found, while the City of Pregrada will take care of the professional arrangement of the location through landscape planning and landscaping. Thus, this cultural property will not be denied to the public but will become part of the community as memory and testimony of tangible and intangible heritage in situ.