The theoretical part of work deals with the visual language of comics and its definition. The form of comics is described and comics are approached as systems of visible elements such as frames, drawings and letters, and invisible elements such as time and reader's imagination . We also touch on the topicof the history of comics and its development not only though time but also across different cultures , from the west , east and Croatian comics. The practical part deals with the analysis of the comic book " Deadly Sins and four other things. " and the methodology of its making. Special attention is given to the relationship between the use of eastern and western elements of comics and certain decisions I made on usage of these elements to achieve a special relationship, and form I wanted to create in my comic. Described are some personal views on dealing with problems that appear in certain panels and their solution as well as the analysis of panels that i found of greater importance to the comic as awhole.