Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma

Štulina, Krešimir

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master's thesis

Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma

Zagreb: University of Zagreb, Academy of dramatic art, 2022. urn:nbn:hr:205:565022

Štulina, Krešimir

University of Zagreb
Academy of dramatic art
Cinematography Department

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APA 6th Edition

Štulina, K. (2022). Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma (Master's thesis). Zagreb: University of Zagreb, Academy of dramatic art. Retrieved from https://urn.nsk.hr/urn:nbn:hr:205:565022

MLA 8th Edition

Štulina, Krešimir. "Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma." Master's thesis, University of Zagreb, Academy of dramatic art, 2022. https://urn.nsk.hr/urn:nbn:hr:205:565022

Chicago 17th Edition

Harvard

Štulina, K. (2022). 'Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma', Master's thesis, University of Zagreb, Academy of dramatic art, accessed 15 January 2025, https://urn.nsk.hr/urn:nbn:hr:205:565022

Vancouver

Štulina K. Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma [Master's thesis]. Zagreb: University of Zagreb, Academy of dramatic art; 2022 [cited 2025 January 15] Available at: https://urn.nsk.hr/urn:nbn:hr:205:565022

IEEE

K. Štulina, "Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma", Master's thesis, University of Zagreb, Academy of dramatic art, Zagreb, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:205:565022

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Metadata

Title	Suradnja snimatelja i redatelja u stvaranju vizualnog izgleda igranog filma
Author	Krešimir Štulina
Mentor	Mario Sablić (mentor)
Granter	University of Zagreb Academy of dramatic art (Cinematography Department) Zagreb
Defense date and country	2022-09-23, Croatia
Scientific / art field, discipline and subdiscipline	FIELD OF ART Film Art (Film, Electronic and Media Art of Moving Pictures) Recording (Film and Electronic)
Abstract	Rad opisuje vizualni izgled filma kao posljedicu filmskih izražajnih sredstava koja su birana u svrhu ideje filma od strane redatelja i snimatelja. Izbor dolazi iz suradnje redatelja sa snimateljem koja je najvažniji dio u stvaranju vizualnog izgleda filma. Vrste suradnji i načini rada unutar istih opisani su kroz intervjue snimatelja i redatelja uz pomoć stručne literature. Za definiranje takve suradnje u obzir su uzete povijesne okolnosti, kao i razvoj filmske umjetnosti, osobitost svakog redatelja kao umjetničkog zvanja i snimatelja kao umjetničko- tehničkog zvanja.
Abstract (english)	The thesis describes the visual appearance as a consequence of the film's means of expression chosen for the purpose of the film's idea by the director and cinematographer. The selection comes from the director's collaboration with the cinematographer, which is the most important part of creating the film's visual appearance. The types of cooperation and modes of operation within the collaboration are described using interviews with cinematographers and directors, with the help of professional literature. To define such cooperation, historical circumstances were taken into account, as well as the development of film art, the particularity of each director as an artistic profession, and cinematographer as an artistic and technical profession.
Keywords
Keywords (english)
Language	croatian
URN:NBN	urn:nbn:hr:205:565022
Study programme	Title: Filming Study programme type: university Study level: graduate Academic / professional title: magistar/magistra snimanja (magistar/magistra snimanja)
Type of resource	Text
File origin	Born digital
Access conditions	Access restricted to authenticated users
Terms of use
Repository	Repository of Academy of Dramatic Art
Created on	2022-09-26 11:07:31