Reprezentacija ženskog tijela u suvremenoplesnom teatru

Kraljević, Iva

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master's thesis

Reprezentacija ženskog tijela u suvremenoplesnom teatru

Zagreb: University of Zagreb, Academy of dramatic art, 2019. urn:nbn:hr:205:020345

Kraljević, Iva

University of Zagreb
Academy of dramatic art

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APA 6th Edition

Kraljević, I. (2019). Reprezentacija ženskog tijela u suvremenoplesnom teatru (Master's thesis). Zagreb: University of Zagreb, Academy of dramatic art. Retrieved from https://urn.nsk.hr/urn:nbn:hr:205:020345

MLA 8th Edition

Kraljević, Iva. "Reprezentacija ženskog tijela u suvremenoplesnom teatru." Master's thesis, University of Zagreb, Academy of dramatic art, 2019. https://urn.nsk.hr/urn:nbn:hr:205:020345

Chicago 17th Edition

Kraljević, Iva. "Reprezentacija ženskog tijela u suvremenoplesnom teatru." Master's thesis, University of Zagreb, Academy of dramatic art, 2019. https://urn.nsk.hr/urn:nbn:hr:205:020345

Harvard

Kraljević, I. (2019). 'Reprezentacija ženskog tijela u suvremenoplesnom teatru', Master's thesis, University of Zagreb, Academy of dramatic art, accessed 20 January 2025, https://urn.nsk.hr/urn:nbn:hr:205:020345

Vancouver

Kraljević I. Reprezentacija ženskog tijela u suvremenoplesnom teatru [Master's thesis]. Zagreb: University of Zagreb, Academy of dramatic art; 2019 [cited 2025 January 20] Available at: https://urn.nsk.hr/urn:nbn:hr:205:020345

IEEE

I. Kraljević, "Reprezentacija ženskog tijela u suvremenoplesnom teatru", Master's thesis, University of Zagreb, Academy of dramatic art, Zagreb, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:205:020345

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Metadata

Title	Reprezentacija ženskog tijela u suvremenoplesnom teatru
Author	Iva Kraljević
Mentor	Saša Božić (mentor)
Granter	University of Zagreb Academy of dramatic art Zagreb
Defense date and country	2019-09-30, Croatia
Scientific / art field, discipline and subdiscipline	FIELD OF ART
Abstract	Ovaj diplomski rad bavit će se razvojem i poviješću pojma ženskosti u suvremenoplesnom teatru. Suvremenoplesni teatar širi pojam ženskosti. Pojam ženskosti širi je od pojma ženskog roda i dovodi u pitanje pojam identiteta što će se dokazati kroz analize ženskih radova koje proširuju pojam ženskosti. Temeljna teza o proširenju pojma ženskosti temeljena je na istraživanjima američke teoretičarke Judith Butler koja tvrdi da rod nije zadan nego je produkt socijalne izvedbe. Kroz primjere plesnih autorica i koreografkinja: Pine Bausch, Anne Terese De Keersmaeker, Louise Lecavalier, Mette Edvardsen i Petre Hršćanec raspravljat će se o različitim izvedbama ženskog roda. Sve te umjetnice na različite načine kritiziraju stereotipe ženskosti.
Abstract (english)	This thesis will focus on the development and history of the term femininity in contemporary dance theater. Contemporary dance theater expands the notion of femininity. The notion of femininity is broader than the concept of femininity and questions the notion of identity, which will be proven through analyzes of female works that extend the notion of femininity. The overall thesis about expanding the notion of femininity is based on research by American theorist Judith Butler, who argues that gender is not given but it is a product of social performance. Through the examples of dance authors and choreographers, such as Pina Bausch, Anne Terese De Keersmaeker, Louise Lecavalier, Mette Edvardsen and Petra Hrašćanec, different performances of the female gender will be discussed. All these artists criticize the stereotypes of femininity in rather different ways.
Keywords
Keywords (english)
Language	croatian
URN:NBN	urn:nbn:hr:205:020345
Study programme	Title: Acting Study programme type: university Study level: graduate
Type of resource	Text
File origin	Born digital
Access conditions	Access restricted to students and staff of home institution
Terms of use
Repository	Repository of Academy of Dramatic Art
Created on	2019-09-25 08:54:10